Ink Paper Chisel Grain: A Remarkable History of Woodcuts

£25.00

Available for Pre-order. Due August 2026.

Ink Paper Chisel Grain: A Remarkable History of Woodcuts Author: Format: Hardback First Published: Published By: Penguin Books Ltd
string(3) "416"
Pages: 416 Language: English ISBN: 9780241682203 Category:

*Pre-order your copy of Ink Paper Chisel Grain today* A dazzling journey through 500 years of art, ideas and human imagination, told through one of the most enduring and versatile artistic mediums ever created – the woodcut. At its simplest, a woodcut begins with a piece of wood, a cutting tool, ink and paper. Yet from these humble materials artists have created some of the most powerful images in human history. In Ink Paper Chisel Grain, artist and printmaker Paul Coldwell invites us into intimate encounters with the works and makers who transformed woodcut from a practical technology into a vehicle for beauty, revolution, protest and wonder. Travelling across centuries and continents, Coldwell guides us from Albrecht Dürer’s apocalyptic visions and Hokusai’s Great Wave to Käthe Kollwitz’s searing anti-war prints and the monumental contemporary works of William Kentridge. Along the way we meet artists, printers, collectors, curators and craftsmen; step inside museums, archives and studios; and discover how a simple process of cutting into wood helped shape the visual culture of the modern world. Part history, part travelogue, part meditation on art and making, Ink Paper Chisel Grain reveals how woodcut has survived every technological revolution thrown at it, celebrating the enduring human impulse to leave a mark.

Weight 0.75 kg
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Author Biography

Paul Coldwell is an artist, curator, researcher and writer who has worked with and studied woodcuts for more than fifty years. His work has been exhibited in numerous public collections, including the Tate, the V&A, the British Museum, the Musée d'art et d'histoire (Geneva) and MoMA (New York), and since 2001 he has been a Professor in Fine Art Printmaking at the University of the Arts London. He has been a regular contributor to publications including Art in Print, Printmaking Today and Print Quarterly, and he is the author of several books, including Printmaking: A Contemporary Perspective.